The 2020 winners from our 14th competition are below. Scroll down to view judges’ comments. To read the winning poems check out our anthologies page.
The 2020 Competition
1st Prize The Debt Due – Sheila Aldous (Devon, England)
Our 2020 winner
Sheila Aldous is a North London girl with Devon in her soul. Living on the banks of the River Teign she is inspired by life generally, but also the natural landscape, river life, local history and love & loss. Her first collection, Paper Boats, the Burning of Teignmouth and Shaldon 1690, was published by Indigo Dreams. Sheila has an MA in Creative Writing from Exeter University. She has won several poetry and writing competitions: the Yeovil Prize, the NAWG, Riptide Journal and Happenstance 20. She was shortlisted in the Bridport prize 2018 and has been placed in others. Her second collection, a chapbook Patterns of All Made Things, is due to be published by Hen Run, an imprint of Grey Hen Press.
2nd Prize To Paul Celan – Linda M James (Canterbury, England)
Linda M James is a Kent-based writer and creative writing tutor. She has published four novels and has finished a fifth called The Vienna Connection. This novel is an intriguing story of lost identity which moves location from America, Vienna and Switzerland before and after WW 2. In the future, she intends writing many more novels and screenplays. More here.
3rd Prize Unscythed – John Gallas (Markfield, England)
John Gallas is a New Zealand born poet who was Joint Winner of the Indigo Dreams Pamphlet Prize in 2016 and was also the St Magnus International Festival poet in the same year. After studying at the University of Otago he won a Commonwealth Scholarship to Merton College, Oxford to study Medieval English Literature and Old Icelandic and has since lived and worked in York, Liverpool and various other locations as a bottlewasher, archaeologist and teacher. The Little Sublime Comedy is his tenth Carcanet Press collection. More here.
4th Hidden Prey – Sheila Aldous (Devon, England)
5th Listen To Me I Am Odile – Judith Drazin (Bristol, England)
6th Cell – Helen Cook (Maesllyn, Wales)
7th Circumnavigation – Sharon Black (France)
8th A Kind of Music – Isobel Thrilling (Skipton, England)
9th Total Immersion – Konstandinos Mahoney (London, England)
10th Mother Goddess of Netherby – Susan Szekely (Shipley, England)
11th Moths – Sheila Aldous (Devon, England)
12th In The Gents At Craig-Y-Nos Visitor Centre – Phil Coleman (Pontardawe, Wales)
13th Delft – Tanya Parker (York, England)
14th The Prettiest House in the Street – Rebecca Palmer (Christchurch, NZ)
15th A nut roast arrived – Simon Maddrell (Brighton & Hove, England)
16th Lizzie Pinches (Grandmother’s Skates) – Chris Kinsey (Newtown, Wales)
17th Welsh Bamboo – Mike Pullman (Hathersage, England)
18th Qasida in time slowed to the rhythm of cats – Dena Fakhro (London, England)
19th Chosen by the Sea – Jolie Marchant (Coleford, England)
20th Large Hotel – Robin Muers (Rugby, England)
Results were announced on our web site, Facebook Group and Twitter on Monday 15th July, 2020. We have also informed the UK national press, Literature Wales, Pontypridd Observer and associated district newspapers, SW Echo, the Western Mail, BBC Wales and RCTCBC as well as many organisations on our mailing list. Thanks to Sally Spedding for judging this years competition, and thanks also to all those who entered and look forward to reading your work next year.
Since the start of the contest, back in 2007 we’ve always felt it important to pick out as many poets as we can for praise. We’ve been criticised over the years for having a 18th, 19th and 20th place etc. All I can say is that if one of my poems was picked 20th in such a competitive contest I’d be thrilled. This year is no exception and in fact our judge, Sally Spedding, felt that the quality of poems submitted this year was so good that she has also singled out a further five poems / poets that deserve a mention. They are as follows:
Boneyard – Jennifer Watson
Summerland – Chrissy Banks
The Speed Of Ice – Partridge Boswell
Pontypridd – Jeanne Ceridwen Christie
From St. Martha’s Hill – Lizzie Ballagher
In addition Sally also liked the following poems / poets, who also deserve a mention. In no particular order they are as follows:
In memory of my father: upholsterer – Philip Dunn
The derelict farm – Barry Norris
Stallion – Kevin Smith
A recipe for rewilding – Kathy Miles
As the Rev Nicholas might have thought of chocolate – L A Watt
The headmaster, circa 1955 – Judith Drazin
When the trees were still dangerous – Paul Nash
The Facebook of Faiyum – Partridge Boswell
Mirror my lust – Rose Hinton
Alley days – Chadleigh White
Calligraphy – Anne Connolly
Bottom left-hand corner – Rob Barnes
Star dust – Judith Drazin
Whose voice? – Anne Forest
Following behind – Michael Forester
Stars in jam jars – Christian Donovan
Life on the inside – Beverley Sutton
Dunnerholm – M R Peacock
Inversion layer – Jilly O’Brien
Carpathian rhapsody – Simon Tindale
Planting out – Susan Szekely
Ring of Brodgar – Diana Sanders
Picking blackberries – Anne McCrudden
Twenty-six – Rebecca Brown
The race – Val Ormrod
Gus – Jane Langan
On the bus with the ex – Gale Burns
Caitlin – Robin Daglish
Coffee houses – Lorna Liffen
The owl, the pussycat and the shark – Judie James
Quintet – Nora Bartley
Bereavement – Odette Short
The gamekeeper’s dogs – A F Paterson
Salt – Jennifer Watson
Residue – Mike Douse
Stillwatch – Jackie Biggs
Bardo – Scott Elder
Jane Eyre – Philip Dunn
Request stop – Claire Lynn
Gower Heritage Centre – Charlotte Sanna
Creirwy – Paul Home
It has been a huge privilege to have once again been invited by Dave Lewis to adjudicate this year’s ever more prestigious and truly international Welsh Poetry Competition, with a record number of entries. The main themes involved memories, family and relationships, trees, flowers, woodland, birds, the sea and its shores, death, dying, hospitals, lockdown and its consequences, journeys, doom, pregnancy and birth, recollections, self-examination, Aberfan and other places in Wales. Other countries’ histories, too. Save for one poem, there was a noticeable lack of humour, which is hardly surprising. However, a veritable treasure hunt, with so many gems to choose from…
My criteria: Instead of merely chopped-up prose, I was looking for musicality, assonances and alliteration etc. If rhyming, then subtle. Not everything spelled out, instead, leaving room for the imagination. Not narcissistic and self-indulgent. Too much interiority can be tedious. Originality of subject matter and its treatment. To be shown something I didn’t know or been aware of. Interesting histories / countries / areas and revelations. Injustice and betrayal.
1st THE DEBT DUE – Sheila Aldous
Inspired by Dylan Thomas’ visceral and moving poem ‘I Have Longed To Move Away’ first published by New Directions in 1935, this is an achingly empathic revelation of the then young poet’s need to break free from what he saw as entrapment between society’s conventions and what he believed to be ‘the lie’ supporting them. Despite his need to be more true to himself and spurn what he felt to be damaging, the conflicted Dylan wasn’t quite able to do this. And then in 1952 came his beloved father’s ‘betrayal’ by death.
All this is captured by another accomplished poet who, it seems, is almost haunting 5, Cwmdonkin Drive, privy to Dylan’s innermost thoughts and feelings. Whose last two lines say it all.
Knowing about the payment of the debt
Knowing about being born to die.
A tour de force and a worthy winner.
2nd TO PAUL CELAN – Linda James
Forever touching the edges
Of your words – their lack of answers –
their spoken silences.
Love in a tango of dark blue eyes.
In Poppies. In Remembrance.
The first five lines of this spare, but evocative, questioning poem, introduce us to a gifted man born in 1920 in Romania to German-speaking Jews, who wrote under a pseudonym and whose second poetry collection, Mohn und Gedaechtnis (Poppy and Memory) established his reputation. Then came the well-known ‘Fugue of Death’ opening with ‘Black milk of daybreak we drink it at evening we drink it at midday and morning we drink it at night’ before an unsparing account of life in the Nazi death camps where his parents were killed and he was interned until escaping. Despite a later successful academic career in Paris, married with a son, Paul Antschel (his real name) committed suicide in 1970.
This ‘tribute’ ends with:
Float me a second skin, Celan, so that
I sing in front of strangers – lighter
than the sky. Ballooned with words.
A truly well-deserved runner-up.
3rd UNSCYTHED – John Gallas
By Paparahi Flat, just past the droving bridge,
A vasty field of uncut corn rattles, torn,
Sere and straggle-flapping, up to Bonner’s Ridge.
Straight in with a great title and vivid description of winter on New Zealand’s North Island where the last words of this fresh, beautifully observed location sum up the scene with the end of the fifth stanza before the next one.
Their green time gone, their salad-days long passed, they rise,
a little blankly, yes, a little like a crowd
achatter when the show is done and all the darkling
auditorium of earth an empty shroud.
A well-deserved third placing, for a poem, which showed me another world far away.
Sally Spedding, 2020
See also our links page for details of poetry web sites in Wales and beyond.